THE WEDNESDAY STUDIO

Watercolor and Pastel Artists at CHAW

Vince Iannacchione depicts motion through art

Editor’s note: In this post, Vince describes the homework he did in creating his piece Fluid Mechanics, which is currently part of the show “Summer Work” at the CHAW Gallery, 545 7th Street, SE, Washington, DC. 

Vince Iannacchione: Fluid Mechanics

My challenge was to depict motion in a two-dimensional rendering of a woman running on a beach. As the artist Michael Joo has said, “The division between science and art is very porous. Where one stops, the other begins and vice versa.”

First, I looked at how other artists had represented motion in art.

Marcel Duchamp Nude 2

Ellen Cornett suggested Nude Descending Staircase, No. 2 (1912) by Marcel Duchamp as an example of a two-dimensional work with a movement gesture.

Neo-futuristic vectors

In his series of basketball images (2010), Charis Tsevis made effective use of color to depict motion.

Vince Iannacchione fallert

Caryl Bryer Fallert used overlapping silhouettes to depict dance movement (1995).

Vince Iannacchione: Verb One

 For this initial rendition, I looked at dozens of silhouettes of female runners and then composited a few of them—legs and arms here, torso there—to form overlapping silhouettes. I eliminated clothing because that would require too much detail, and I focused on the movement of arms and legs, using colors to distinguish figures. I experimented with watercolor on tissue to depict air movement. A typical comment from viewers was “it looks like a group of runners.” Hmmm.

I then researched images of vortex shedding in fluid mechanics:

Vince 2

Vince 2.5

My brother Tony (who is an engineer)  made four important suggestions regarding the depiction of vortex shedding:

  1. The woman’s ponytail should be horizontal to better depict speed.
  2. The vortex shedding caused by the ponytail should be relatively compact, while the vortex shedding caused by the extended rear foot should be large.
  3. The vortexes should gradually fade out behind the runner.
  4. The undulations in the sand should reflect the shedding of the lower vortex
Vince Iannacchione Fluid Mechanics pastel and wc

For my final rendition, titled Fluid Mechanics, I worked in pastel over a watercolor wash and incorporated all of my brother’s suggestions. I used the rule of thirds to position the upper and lower vortexes.  The runner is black to accentuate contrast in value. I used a split complementary color scheme (red-orange and yellow-orange) against the blue sky.

Vince’s profile is available here: Vince Iannacchione
To see some more of his work, click here: Vince Iannacchione’s Gallery

About wisemarian

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

Information

This entry was posted on September 20, 2018 by in Artist process, Mixed media and tagged .
%d bloggers like this: